Posts tagged ‘clustering’

October 21st, 2010

Cluster Plotting (novel planning)

by Johanna Harness

There are many ways to plot a novel.  No one way is right. Some people have great success planning their novels as they write. If you already have a process that works:  Hooray!

I’m always changing my planning. At one point I thought I was searching for the perfect planning technique, but now I think I’m simply changing my process to fit who I am today–and what I’m writing today.

For me, the important thing is that I keep a spirit of playfulness in my planning.  Writing is fun!

This week I re-posted links to two methods I’ve used to plan in the past:

  1. Phase Drafting
  2. Big Board Planning

It may be that you take a look at a bunch of different ideas and mix things up for yourself.  If so, also:  Hooray!

I’m only including the basic steps here.  If you’d like more information, please do watch the video.  It’s about ten minutes long and I go into a lot more detail.

Need more background about clustering? Check out the blog post I did about clustering as a process of discovery.


Cluster Plotting (as tweeted in steps to @jessrosenbooks):

1. Best thing w/ clustering: If you cluster by hand, creates a left-brain/right-brain buzz. Must use circles, lines, words.

2. Don’t pause until you must–then recognize the insight/question that made you pause. Fascinating to me that this works. A bit of magic.

3. Do the plot through-line first. Central question to satisfying ending. Just a bubble for key steps.

4. Each bubble should be delicious. You don’t have to give it all away in outline. Just know where you want to lose yourself.

5. When you see the really delicious bubble, it’s probably a subplot. Follow it in parallel to through-line.

6. See if you can make that subplot reconnect to a through-line bubble near the end (but not at the end).

7. Then move to arc. Identify bubble where everything changes in book. This is midpoint. Connect that to the word count goal for your novel.

8. Set-up should be done early. Which bubble is that? Put it on your plot arc.

9. Btwn set-up & midpt: Catalyst for action, debate, subplot introduced, no turning back.

10.  At midpoint, the clock is set and the stakes rise. There is a force pushing you toward the end of the book.

11. From midpt to next 1/3 of downward arc: bad guys close in. At the end of this section, it appears all is lost.

12. Next short section is dark night of soul (should be abt 3/4 through book by end).

13. Final 1/4 of book: hero finds a new way home. There can be false ending followed by rise of bad guy, & a 2nd triumph.

14. Don’t worry about fleshing out every scene for NaNo. You can do that in rewrites.

15. The best part abt assigning word count is pacing. I always write long, so a limit makes me focus on the best parts.

16. Once I have the structure, I can look at how much time passes, what day it is, day or night, etc.

17. I can also examine character location.

18. And I can plan all this without taking away the spark & fun of writing. I don’t know the details, only that I need to get from Pt A to Pt B.

Need more?  Here’s the video.  Enjoy!

September 26th, 2010

Energy

by Johanna Harness

Today @JKFlick asked me, “How do you have all the time/energy to do all you do?”  Her question reminded me of a similar question asked last December, which prompted a blog entry I’m re-posting here.  None of us can do everything, of course, but we all can do things that impact our energy.  Here is the original post from December 4, 2009:

Energy

The first thing I tell anyone, no matter what dream they’re following, is to quit making your dream a chore.  Do not try to punish yourself into submission, thinking you’re going to write more through making yourself submit to a schedule you don’t want to keep.

When you do things you hate all the time, you lose energy.  If you make writing into one more item on your hate-to-do list, all is lost.

So, you know, Don’t Do That.  If you’re looking at your clock and flicking a rubber band on your wrist every time you quit writing and people ask you about the strange welts on a regular basis, Don’t Do That.  Okay?  Yeah?  Don’t.  Do.  That.

So what do you do?  If you want more time in your day, figure out the things that give you energy. Too often we fall into the trap of thinking energy is the same thing as time.  It’s not.

We think in terms of schedules and clocks.  I get x amount of sleep, get up the next morning and get x amount of hours before I sleep again.  Bleah.  No.

You get life. And into that life you pour all your hopes and dreams and all the best you have for those around you.  And you accept the love and support of others.  And you may have to do things you don’t want to do, but you minimize those things and you tackle those monsters with leftover energy from all the things you love and enjoy.

Yes, I really said “leftover energy.” I did.  Don’t go away.  Come back and listen.

I don’t know what gives you energy.  You have to figure that out.  And when I say you have to figure that out, I mean you MUST figure that out.  Sit down and make a list of things that suck all your energy and leave you feeling horrible.  Acknowledge that some of those things are people.  Then make a list of the things that give you energy.  These things are the basis of your life.  They are the basis of everything you should be doing in your life.

The eye-opener for me, when I first did this, was that I couldn’t think of a single thing that gave me energy. Know why?  Because I’d turned all the things I love into items on my hate-to-do list.  If you’ve done this, you may need some time to think.  (BTW, if you put “making a list of things that give me energy” on your hate-to-do list, that’s not a good sign.)

The things that give you energy include characters, plot, and setting.  Acknowledge the people, the activities, and the places that make you feel energized and happy. Leave the grumpy people and the hated activities and the places you hate off the list, even if you feel guilty about it.  Be honest.  You’ll still tend to those things, but you’ll do it with leftover energy.

The picture I chose for this blog entry is one of my energy pictures.  Bustling crowds drain me.  Open spaces fill me up.  My family is sitting there on the rock.  After a day of hiking (energy +) with people I love (energy +) we ate a healthy lunch (energy +) and then my husband took the kids on an extra hike (support= energy +) so I could open my notebook and write (energy +).

It was a very full day and I came home with the energy to tackle monsters.  I took my hate-to-do list and slashed through it in record time.  And then I had energy to write more which gave me more energy.

You’re seeing the pattern?  It’s not about time.  It’s about energy. If you have energy, you will be more productive in the same amount of time.  You’ll be more productive than you’ve ever been in your life.

And how do you get more energy?  You follow your dreams.

You see?  Yeah?  It’s not about forcing anything on yourself.  There’s no resistance.  You’re actually going with your energy flow instead of fighting it. When I started doing this, I slept better and I needed less sleep.  How freakishly amazing is that?

Even my relationships became more solid.  If you’re putting time into your family and resenting not having time for yourself, you’re being unproductive with your love.  That sounds funny, doesn’t it?  But you know what?  People love being around you when you’re happy. And you know what else?  When you’re doing the things that give you energy, people gravitate toward you because you give them energy.  You change your environment so everyone around you is happier and more productive.  It’s magic.

And the really screwy, amazing thing about all this is that it’s easy. Maybe that’s why we miss it.  Here are the steps:

Figure out the things that give you energy.
Do those things.

If writing is a dream, writing should be one of those things that makes you enjoy the rest of your life more.  Respect your need for writing.  Take it seriously.

I get up early to write because that’s when my house is quiet.  It’s much easier to change my own habits than to change the habits of others. Most days I start writing at 5AM.  If I know I need an extra hour of alone time, I start writing at 4AM.  I keep my mornings simple: clothes, coffee, #amwriting chat until I’m awake, write.

An amazing thing happens when I start my day with writing.  Okay so you already know what it is now.  More energy.  More productivity.  And suddenly:  more time.

Most of us who write have other gigs in our lives, whether that’s a full time job, full time child or parent care, health issues, job searches.  The list goes on and on.  I homeschool my kids.  I double majored in English & Psychology, earned an MA in English Literature and then later went back for an MEd.  I taught college classes for over ten years and loved it.   It took a lot of work to figure out how to rearrange our family life so we could collectively follow the dream of homeschooling.  Homeschooling gives me energy.  I love teaching my kids.  When they get up in the mornings, my writing time turns into their learning time.

But you know, sometimes there are lulls in my work day.  When I’m full of energy, I can make good use of 5-10 minutes of time.

I know writers on #amwriting who write early in the morning and then pull out their laptops at lunch.  I know writers who write entire manuscripts on trains, subways, busses–during their commuting time!  I’m willing to bet that very few did this because it was on their hate-to-do list.

So much of making good use of your sit-down writing time has to do with making good use of your bits and pieces of time. Learn to cluster your ideas during those few minutes before your kid’s game starts.  Carry a set of notecards in your bag and phase draft bits of your plot while you’re waiting in line.  Scribble more.  Run through character dialog while you’re making dinner.  Observe things and ask yourself, “what would my character think of that?”

If you take advantage of all the spare minutes in your day, if you focus on things that give you energy, you will be more productive in the time you set aside for yourself. If you only get two hours a week, if you only get lunch hours, if you only get commuting time, prepare so that the words are bottled up and ready to flow as soon as your fingers hit the keyboard.

It’s not about finding more time in your day. It’s about creating more energy in your life.  Be a little crazy, live with abandon, and have fun!

August 29th, 2010

Clustering

by Johanna Harness

(Note: This post originally appeared in my old blog on December 2, 2009.  As topics reappear in discussion, I’m transferring the content here.)

The cluster pictured here is one I did for this blog entry, based on #amwriting.  I ended up considering something that happens repeatedly in the chat: someone says they are not really writing because they’re editing or planning or doing research or some other writing-related activity.  My direction at the end of the cluster is leading me toward a discussion of all the things that really should be included in a definition of writing.

Clustering is one of those things I thought I understood until I really experienced it.

I’m 42 years old.  I was introduced to clustering and mind mapping in high school.  The basic idea taught to me was that you put an idea in the center of the page, circle it, and then brainstorm ideas out from there.  For me, mind mapping was a messy, graphic way of outlining.  They were interchangeable for me and linear outlining was much easier to understand later.  So for years, I was under the impression that I knew all about this method and it just didn’t work for me.

I went to the SCBWI Conference in Utah last month and took a workshop presented by Terri Farley, author of the middle grade Phantom Stallion series.  When she started talking about clustering, I admit there was an inner-me that yawned and said, “not this again.”  Being a polite conference attendee, I listened.  Politely.  Then I listened attentively.  And finally, I realized she was talking about clustering in a way I had never considered.

I also should admit Terri really spoke to me because so many of her creative thoughts resonated with my own creative process.  She talked about sitting on the floor during her planning.  She uses notecards and she does a lot of her pre-planning work by hand.  So when she told us that clustering works for her, every time, that it’s a go-to method she relies upon, I was more open to hearing what she had to say.

These are the points that changed my experience of clustering:

  • Cluster by hand.  Don’t use the pretty computer programs. There is something magical that happens between right and left brain when you physically draw circles and lines.
  • Use words for the left brain.  Use free association between words for the right brain.
  • Don’t edit the flow of ideas.
  • Cluster until you feel direction.  I know when this happens for me because I start writing in sentences or lists.  My left brain knows where to go with all the details I’ve thrown at it.

Terri told a story about a heart-wrenching experience she had observing wild horses.  When she returned to her car, she couldn’t begin to put words to what she had witnessed, so she clustered her thoughts.  Within a few minutes, even with tears streaming down her cheeks and emotions everywhere, she had captured everything she needed to write about the experience, including the angle from which she would tell the story.

This spoke to me.

There are many times when I feel overwhelmed by my emotional response to my characters and their story–usually because I’m writing about something reflected in my own life in some way.  My standard response has been to wait for the strong emotion to pass and then find a logical approach to the topic at a later time.

Clustering allows me to get my thoughts on paper and find direction using my emotions (and not in spite of them).  This is a Big Deal.

Terri credits Gabriele Rico with opening up clustering for her.  The amazing thing to me is that I have Rico’s book, Writing The Natural Way, on my bookshelf.  I was already familiar with her ideas before I attended Terri’s workshop.  I can go to Rico’s website and read and I still see the words through old eyes.

Sometimes we need to hear the translation of an idea through another writer’s experience.  If I can do that for anyone with this blog entry, that’s a very good thing.

Remember:  cluster by hand, use circles and lines, don’t censor the connections between words.

And about the messiness of it?  Once you have the idea, it’s in your head.  You don’t ever have to look at the cluster again.  The value is in the process not the product.  How cool is that?


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